Category: Music

Posted on

Response from students who opposed a U.K. rock show

Awhile back, I made a post about how I couldn’t believe that students at a small college in the U.K. protested against a rock show by the band Clinic so they could focus on their studies instead. You can read my post and get more background information here.

The beauty of the internet is that someone who was actually there found my post and left a comment on it, four months after the whole ordeal. Additionally, “Sue” was one of those students who opposed the show and gave her account of what happened and why. I find this incredibly fascinating that I’m posting her comment here to make an update to my previous post in this topic.

This is such an old story if feels odd posting a comment, but I only came across all the internet ranting on the issue today. I was one of the students that protested about the gig, to be honest we were told it had moved venue and thought nothing more of the matter. However now I feel that I should set the record straight(although probably no-one will even read this).

The gig that was to “last a couple of hours” demanded that we destroy our sculptures in order to move out of the performance space; our studios. We were given one weeks notice. A couple of weeks after the scheduled gig we had a very important assessment that lead directly into our degree show. After three years of studying our result is determined by the degree show. This assesment was CRUCIAL. However we were told to remove everything from the studio(which demanded destroying many of the works). We would have less than 1 week to build new work before our 3 year degree began to be assessed on the basis on what was being presented.

Also in response to the endless record company lies, It wasn’t the first gig to be played there since the sex pistol. A year prior to the clinic scheduled gig a big promotional gig with the paddingtons had happened to mark the 30th anniversary of the sex pistol’s first gig. Central Saint Martins has used this fact to establish itself as a venue to whore band, making false connection with rock’s history, to create artifical connections between the music industry and art students, when infact its just the old money making men pushing promotional bullshit. It was a disguting act of record label PR/branding. Yuk!!!

And finally, not to be rude but St Martins is not a “small” school, it is internationally reknowned for its on going contribution to our creative environment. Its just a shame that the reality of this reputation (you see really the sex pistols played for 5 minutes before college heads unplugged them and chucked them out)is perpetuated by vulgar marketing, where the dean ignores his students in order to contrive PR stunts with money hungry record companies.

Thanks for the clarification, and I certainly stand corrected on the details. I am very much against having anything destroyed when it comes to art, so you officially have my support, Sue. This shows a real beauty in the reach that blogging has, and your comment certainly reached me.

Posted on

Celebrating the death of DRM with The Toadies

Truly, there is no connection between the deal that Apple made with EMI and this video that I never knew existed by The Toadies[wiki], but I’m stoked about both. Does this mean the end of DRM as we know it? If I could tell you that, I’d be rich.

The Toadies were the band that I saw at my first, real rock show, and I totally dig the hockey jersey Lisa is wearing in this video. In fact, she was wearing one when I saw them play in Davenport, Iowa, but it might have been a Blackhawks jersey. Regardless, she was an intense presence on stage. They broke up about two years back, but The Toadies played a show together in Texas over the past St. Patrick’s Day weekend. Reunion? Remains to be seen.

Posted on

Theme song for House

I just wanted to toss this out there for those who might be curious. It wasn’t until a few weeks ago that Rebecca and I were watching The Wedge when this piece of knowledge came to light.

Massive Attack - TeardropThe theme song to the television show House[wiki] is by the group Massive Attack[wiki]. Now I say group because the whole dynamic that makes these guys up is fascinating. They are one of these super groups that seem to do no wrong with everything they release. Can’t say that I’m an overly rabid fan, but what I have always known and heard of them, I’ve liked a lot.

I’ve also seen Tricky[wiki], a side project to Massive Attack, open up for Tool[wiki], if you can believe that. Mind blowing show, even for sitting in the seats on stage right of an arena venue.

Anyway, we just made it through some catching up on some of the TV series that we like to keep track of. WOXY played the track a long time ago, shortly after the series started, but I never scoped out who it was. The track, “Teardrop”[wiki], has actually been used in a variety of shows, but I think you’ll find that common with a lot of stuff from Massive Attack. They’re one of those acts who produce tracks that run perfectly in various scenes for film or television.

Other guilty folks that come to mind like this are Crystal Method, Air, or Coldplay. Who else might I be missing?

Posted on

Bum Rush The Charts follow-up

Bum Rush The ChartsInstead of tacking on an update to my original posts here and here about Bum Rush The Charts, I thought I would throw a few more thoughts into the aftermath that was. After all, I helped promote this event/movement, and you probably assume thoughts that I have on it. Yes, I liked the concept, but the discussion in the spheres of blogging and podcasting urges me to think out loud a little bit more.

GZExpat is a long time, non-supporter of all things iTunes, and The Reverend Don Deeley has presented me with numerous theories of everything that is wrong with DRM[wiki], which is what every single thing you can buy from the iTunes Music Store is laced with. It’s that thing that prevents you from duplicating, copying, or moving the file in which you purchased within certain parameters.

Some people are unaffected by this, but that’s like saying you can drive the car that you bought here and here, but you can’t drive it here, park it there, or you have to give up your car after you drove it for six months. So let me be in agreement, I am all for opening up DRM across the board, just like what Steve Jobs proposed in his little white paper that he lofted at the music industry nearly two months ago.

Bum Rush The Charts resultsIn a slight manner of speaking, that is what BRTC was about, except it goes a little further than this. The ultimate goal was to push an independent artist to the top of the iTunes charts. It fell short, but the results still showed an effect. Will major music executives care? Probably not, but it shows that independent media can push independent music in a user driven capacity.

Don’t think for a minute that Billboard Music Charts[wiki] work this way. The only reason someone sits on top of that chart is because of the millions of dollars that is spent on marketing that artist. It’s a funneling of big music pushing their focused, narrowed down product to big radio networks who only play a certain amount of artists in their regular rotation on the hot hits stations. It’s what they want to sell and make the maximum amount of profit, not necessarily what you should or want to hear. And if you find that hard to believe, remember when ska was hot? Don’t hear that much on the radio these days because some marketing trend guru says the most amount of profit potential lies in some other genre.

Dave Slusher made a post as to why he was abstaining from BRTC, and I completely respect the idea he presented. However, the aspect of getting respect from traditional or mainstream media is not the reason I bought into this. If anything, I saw this as a really great experiment of what is possible through the combination of blogging, podcasting, and combining that with independent music.

In the end, it proved that it has the potential of being very effective. You can argue all you want about the over all method, but science works the same way. You run an experiment, test the results, and then look another way to test the hypothesis in order to validate your data. That’s not to say that this will happen again anytime soon, but no one can say with complete sincerity that this trial produced some results that are worth raising an eyebrow at.

Posted on

Worldwide promotion through podcasting

This little post from GZExpat about some of the craziness in his life kinda made my day. A bit of back story, he’s our pal in China, living and working there along with his family. He’s a great supporter of our podcasts, big Canucks fan, and a damn cool guy.

He made a jaunt into Hong Kong the other day and details the events, but it was this snippet that made me a tad happy.

We spent the entire day on the run…taxi’s, walking, subway, more walking. By the time it was finished, we had walked 4 districts of the city and put on countless km’s on the sidewalks and escalators. We finished up shortly after 5:30pm. Just in time to allow me 45 minutes in HMV. Here is what I got:

* Secret Machines: Ten Silver Drops (thanks to John for the introduction!)
* Goo Goo Dolls: Superstar Car Wash (an old one I didn’t have)
* Five For Fighting: Two Lights
* The Shins: Wincing the Night Away
* Bloc Party: A Weekend in the City (new album is WAY better than the first…)

[gzexpat]

Aside from a pretty good taste in music, that Secret Machines that he picked up was a result of RadioZoom having permission to play their music on the podcast. I played it, GZExpat heard it, and has since gone out to buy their latest album.

Proof positive of the effect that podcasting can have? Yes.

Posted on

Jealous of you SXSW’ers

The last and only time I went to SXSW was in 2002. It was a free ticket to go, thanks to KRUI. We crammed nine people into a University of Iowa SUV and drove the whole way down. That sounds like fun, but when you only have certain days that coordinate with classes and exams, things get tight for time, money, and space. 17 hours of driving, without stopping, we put all of us into two rooms, not far off 6th Street[wiki] in Austin.

Oh, Austin. The one place in Texas that I would seriously consider moving to. Incredible music scene? Check. Good food? Check. Warm weather? Double check. Large Hispanic population? Ubercheck. I even applied for an engineering position at KUT, and there was hints of interest. Sadly, the call back never came.

I loved my time at SXSW, but my reason for going there were way more music related than the film and interactive part, and I kick myself now for not understanding what that “interactive” thing in the title meant. That should say “internet” in big, bold letters.

In hindsight, if I had more of a mindset to pay attention, I would have used some of the knowledge being spread there to apply it to the realm of radio that I was slaving away in. How? Let’s just say that when I checked out the KRUI website the other day, I was so happy that someone took the initiative of setting up a WordPress blog to run the site. It’s a really great step in the evolutionary petri dish for that particular student run radio station.

If I went again, and you know that I’m thinking about it heavily, I would completely pay attention to this interactive, internet, blogging, podcasting, geeks-on-steroids conference with much more anticipation and enthusiasm. At the same time, I would have to check out the music portion.

I can’t tell you how often I think about that opportunity. I saw so many great acts. They Might Be Giants, Lo-Fidelity All Stars, Shiner (twice), Jurassic 5, The Promise Ring, Boys Against Girls… and that’s just what I can remember without spending too much time recalling all of them.

Combine all of this internet and music stuff, it makes me sad every year SXSW rolls around. I want to do it again soon. There is good news though. You can download podcasts from some of the panels now. It’s the next best thing I’ve got to being there.

Posted on

Bum Rush The Charts

I’m not one to really get into movements like this, but this one involves a couple of things that I’m partial to: podcasting and music.

I’ll try to break it down as simple as possible, but you can get the long end of the story here. On March 22nd, the goal is to get an independent music artist to the top of the iTunes music chart. To do this, podcasters and enthusiasts alike have picked out who that would be and their particular song for this event. On that day only, the intent is to get everyone, that possibly can, to buy that song from the iTunes Music Store.

The band: Black Lab

The song: “Mine Again”

The purpose of this is to “prove the power of new media more than showing corporate media that not only can we exceed their reach and match their purchasing power, but that we can also do it AND make a positive difference in the world. If we can succeed with this small example, then there’s no telling what can do next.” (As quoted from the website)

The curious thing about Black Lab is that they were on a major label, only to get dropped. They have since moved into the independent realm of creating and promoting their music, adapting podcasting into their efforts. Therein lies a lot of the inspiration and consideration for choosing them for this effort.

If you’re interested in more of the details, then find more of the Bum Rush The Charts website. If you have US$.99 to spare on March 22nd, 2007, then you might be interested in joining the mob.

Posted on

William Elliott Whitmore show review in Ohio

I’ve posted about William Elliot Whitmore before, and he made an appearance on the last Six Song on RadioZoom[rz#126]. When I pulled down my feeds this morning, Benjamin Cossel made a raving review on BlogCritics.org about a recent show of Whitmore’s in Ohio. I think he hit the nail on the head.

Bob Dylan, New York City 1961. Tom Waits, San Diego, early 1970s. What must it have been like to see these legendary performers when they were still unknowns? When the gathered crowd was small and you were so close to the artist that you could make a request in a conversational tone?

It struck me, as I watched and listened to William Elliot Whitmore, Feb 19 at The Basement in Columbus, Ohio on the kick-off date of a national tour, that this was what it must’ve been like; to see a performer at such an early point in their career who, in your heart of hearts, you know is destined for greatness with only 20 or so others are there to share the experience with you.

In many an article about him, Whitmore is compared to such legends as Waits and Johnny Cash. I’m sure it’s more to do with the deep gravelly voice and genre fusions than actual stylistic similarities – one thing that does run parallel with the Iowa born and raised Whitmore and those who transcend mere greatness is the honesty in their lyrics. [blogcritics]

Keep reading the rest of his review for sure, but oddly enough, it was one of his songs that was the last things I listened to as I drove out of Iowa to make my way to Vancouver. I think it might have been his song “Midnight”, but it’s hard to recall now. He was doing a live performance on the same radio station that I used to work at, WSUI.

It was the very same program that I had the chance of shaking the guy’s hand and running his sound for as well, nearly a year or so before my departure. That live remote could have been one of the first live programs that I ran by myself, calling the shots on the technical end and managing the part-time student help. I could be completely wrong because my time there is almost like a blur now, but it’s crazy how music can trigger your synapses like that.