I’m not sure what YouTube rabbit hole I stumbled down that made me come across this, but this is an early sixties group that I want to say I’ve heard before but without every really knowing this was them. Continue reading “Have I The Right by The Honeycombs”
I’ve been seeing reminders popping up from previous Pemberton Music Festivals, which was sad due to the cancellation of this year’s. It made me think about some of the shots that I took from last year, and this one always gets me. It appears that Noel does not like photographers.
This might be the only way we’re going to get through all of this.
Say what you will about Billy Idol. He’s been doing this rock and roll thing for a long, long time and still being Billy Idol like it’s nobody’s business.
I was very fortunate to get some of the best shots I think I’ve ever had the opportunity to shoot when it comes to concert photography. This one would be my favorite during his performance at the Pemberton Music Festival in July of 2016.
See more photos in this Pemberton Music Festival 2016 on flickr.
This is a question I ask myself every time I hear their song on the radio or randomly coming up on my various playlists. Even at KRUI, you would have thought that I would have at least played Sloan[wiki] once.
It’s quite possible that I played them at one time and never knew it. That’s the beauty of free form, college radio. Although some would call it a curse.
These photos are from Surrey Canada Day 2013 where I got to shoot photos for Rebecca.
Oh well. Late to the party, but I didn’t miss last call.
Concert photography and perfect lighting is something like the sweet spot on the bat. If you can connect that moment with perfect timing and location, it’s out of the park.
Not only is it about your location in terms of proximity to stage, but you will never be in control of the lighting that is presented to you. Some times, you just have no option other than to turn a shot into black and white, and that’s very rock and roll in its own regard.
As we head into August, I’m getting a little excited for the third installment of the Live At Squamish music festival.
Embarrassingly enough, I never posted about last year’s experience, highlighting some of my favorite photos that I took during the event. I’m fortunate to get access to this event through Miss604.com, and Rebecca is dialed in for 2012 again.
Continue reading “Retrospective: Live at Squamish 2011”
Every once in a while, I find that processing a photo in black and white presents a different feeling to a shot altogether. And while that’s an obvious statement, I don’t like to do it very often.
I liked the way you see Jay and Eon (Bedouin Soundclash) come together at the center of the stage to focus on just each other for a brief portion of the song, forgetting everyone and everything else around them.
Pulling the color out of this one gives me more of a feeling that should be replicated by concert photography. It’s easy to get the photo of the lead singer at the microphone while he or she sings to the people in front of them. What’s more important to me is to capture those moments on stage that represents the intimacy of what live performances really are.
After all, I’m more of a fan than I am a photographer because I’ve been going to rock shows longer than I’ve owned a camera.
See more photos from this show at Miss604.com
I got a posting on my Facebook wall about a band that was from Iowa, The Autumn Project. The question was about if I knew about them because we’re both from the same state and the person really hoped they would come to Vancouver.
It seems like I’ve seen their name float by me at some point, but it’s tough to say that I know a whole lot about them. Reading up on them a little bit, I found out that they’re from Des Moines, Iowa. And actually, they’re right in the middle of one of those “indefinite hiatus” situations.
But the thing that struck me is when I found on that they were from the central portion of Iowa, my first thought was, “Of course I don’t know who they are, they’re from the central portion of the state.” And it’s completely true.
My hub for a music scene was Iowa City for a number of years. There were those two or three hour road trips for a show on occasion, and that was often for acts from other states or countries on their tour route.
I think that once you start to get into a local music scene, your efforts of venturing out of your home base doesn’t seem as important. It’s not about losing connection with it. You just have the ability to have close proximity to something you enjoy while having plenty of friends who are able to tag along (or drag along in some cases).
In the last six months before I moved to Vancouver, we took one of our popular WSUI radio shows on the road to a coffee shop in downtown Des Moines, and the neighborhood in the area of the downtown core that I discovered really surprised me.
There was a feeling of creativity in the area we were in, and the amount of concert flyers I saw for local bands and musicians performing in the downtown area alone was impressive. I recall thinking at the time that I had never given Des Moines much of a thought for a local music scene. That’s almost a regret… Almost.
And yes, Slipknot came from that city and is one of the only bands that many people know from Iowa. They were the only ones I could actually name around that time, but my knowledge was more populated with artists from the eastern part of the state. You never looked west.
I became friends with a lot of bands who called Iowa City home or claimed it to be one of them. I’d get other friends to come along or have great nights out with those passing through town, sometimes to catch a good show.
Being in Vancouver, that’s what’s fun about finding a new music scene, and I’m still learning. Even brief excursions to Victoria, cover band or not, goes to show that getting out of your comfort zone is healthy more often than none. Even if you’re let down, that’s just apart of the education of learning what finding a diamond in the rough is all about.