This is such a solid pop song that hits just right. You can loop it on repeat and still not listen to it enough. One of those brilliantly crafted tunes that happens when a producer becomes the artist.
I came across this song a few years ago now when the YouTube app on the Apple TV automatically played the next video but completely forget what it was that I watched originally that was “related” to this track. Once the sample hit and rhythm kicked in, I was instantly hooked. The bass lines through the whole song are just so excellent.
I have been trying to get back to listening to whole albums, start to finish, and picked this one as a bit of throw back while I did some work on my laptop a few weeks back.
While this was a band that I immersed myself into during my teenage fandom years, it really struck me how this song is so fitting for the divisive, political climate we exist in today.
I talk of freedom You talk of the flag I talk of revolution You’d much rather brag And as the decibels of this disenchanting discourse Continue to dampen the day The coin flips again and again, and again, and again As our sanity walks away All this discussion though politically correct Is dead beyond destruction Though it leaves me quite erect And as the final sunset rolls behind the earth And the clock is finally dead I’ll look at you, you’ll look at me And we’ll cry a lot But this will be what we said This will be what we said Look where all this talking got us, baby
Songwriters: Chad Alan Gracey / Chad David Taylor / Edward Joel Kowalczyk / Patrick Dahlheimer White, Discussion
I’ve been seeing reminders popping up from previous Pemberton Music Festivals, which was sad due to the cancellation of this year’s. It made me think about some of the shots that I took from last year, and this one always gets me. It appears that Noel does not like photographers.
Say what you will about Billy Idol. He’s been doing this rock and roll thing for a long, long time and still being Billy Idol like it’s nobody’s business.
I was very fortunate to get some of the best shots I think I’ve ever had the opportunity to shoot when it comes to concert photography. This one would be my favorite during his performance at the Pemberton Music Festival in July of 2016.
This is a question I ask myself every time I hear their song on the radio or randomly coming up on my various playlists. Even at KRUI, you would have thought that I would have at least played Sloan[wiki] once.
It’s quite possible that I played them at one time and never knew it. That’s the beauty of free form, college radio. Although some would call it a curse.
Concert photography and perfect lighting is something like the sweet spot on the bat. If you can connect that moment with perfect timing and location, it’s out of the park.
Not only is it about your location in terms of proximity to stage, but you will never be in control of the lighting that is presented to you. Some times, you just have no option other than to turn a shot into black and white, and that’s very rock and roll in its own regard.
Every once in a while, I find that processing a photo in black and white presents a different feeling to a shot altogether. And while that’s an obvious statement, I don’t like to do it very often.
I liked the way you see Jay and Eon (Bedouin Soundclash) come together at the center of the stage to focus on just each other for a brief portion of the song, forgetting everyone and everything else around them.
Pulling the color out of this one gives me more of a feeling that should be replicated by concert photography. It’s easy to get the photo of the lead singer at the microphone while he or she sings to the people in front of them. What’s more important to me is to capture those moments on stage that represents the intimacy of what live performances really are.
After all, I’m more of a fan than I am a photographer because I’ve been going to rock shows longer than I’ve owned a camera.