T(I)NC to release a live jazz album

Are you as puzzled over reading that as I am? A politically-outspoken rock band fusing its material with the sounds of jazz? Have faith because I think that if anyone can pull it off, The (International) Noise Conspiracy are the ones to do it.

Alternative Tentacles has announced the release of Live at Oslo Jazz Festival, a special live recording featuring The (International) Noise Conspiracy in collaboration with noted jazz musicians Jonas Kullhammar and Sven-Erik Dahlberg.

The album was previously available only through Swedish jazz imprint Moserobie and includes tracks from Survival Sickness and A New Morning Changing Weather. The label describes the tracks as ” retaining the T(I)NC-ness of the original material” but with more dreamy arrangements. […]

The record is due out March 13, 2007. The band released their last studio record, Armed Love in North America in 2005. [punknews.org]

IMG_7768 It’s not that I think this is a bad idea at all. I am all for artists taking a chance to explore what else they can do musically, but this is insane. And I mean that in the completely good sense of the word. I’ve seen T(I)NC twice now, and the thought of setting their music to a complete jazz arrangement is enthralling.

Anyone who is familiar with their music wouldn’t be overly surprised. Sure, the whole band has punk and hardcore roots from the Swedish scene, but every album has had hints of a jazz influence. From the rhythms on the drums to the full out saxophone solo in the middle of a track, I can’t say that this is too far off the radar. Now I just want to get my hands on it. More so, this is a tour I wouldn’t mind seeing for myself, but I’m not sure North America would be up for it.

Maybe I had a little part in it

I caught this story on PunkNews.org, and the main thing that I find incredible is the second city on the tour date list. Iowa City! And if you listen to the interview that RadioZoom did with Jim Ward, lead singer of Sparta, in November[rz118], you might recall that I lobbied for the band to consider swinging through Iowa City if they were ever in the area.

Toss this one up to the power of new media? Maybe. It would be really interesting if Jim had any part in putting IC on the list. It’s a U.S. tour only, so check out their site for details on any changes or additions.

Take that, Ames!

(Cross posted from RadioZoom)

Students too busy being smart to rock

Maybe it’s because I like Clinic, but this is nuts. Apparently, St. Martins College, a small school in London, England, had students protest their upcoming performance there. The reason? They had too much school work to do.

As previously reported, the university was scheduled to host a sold-out Clinic gig on December 14, but due to “pressure from a small minority of students, who saw the show as a perceived disruption to their studies and were threatening to stage a sit-in protest” (according to the band’s website), the concert was canceled.

A sit-in protesting a rock show?! What decade is this again? The fifties?

Tickets for the canceled show will be honored at the band’s next London show, tentatively scheduled for somet time in February 2007. Tickets can also be refunded from point of purchase. [pitchfork]

Really, I don’t get it, and this is like a strange portrayal of a scene from PCU[imdb]. If there was to be a big show that I wanted to check out when I was in school, then I busted my butt to make time for it. More often than none, the main reason I would skip it would be due to lack of money. And it’s not like the band is setting up in your dorm room. Gigs like this last a couple of hours, not all day. There will be plenty of other time to do your school things. That’s what sleep deprivation and coffee is for.

“These, Tom, are the Causeheads. They find a world-threatening issue and stick with it for about a week.” – PCU[imdb]

I need better tunes at Canucks games

I’ve mentioned it before, on the blog and podcast, but there has got to be something done about music at Canucks games. I would give anything to be the guy with the job of running the controls and hitting play on the whistles. I would implement rules that certain songs would get limited play. Certain tracks would have to be retired due to being played everywhere else in the league, and there would be no silly sound effects (not that there is much of that being done at GM place now, but just getting that point out there).

Flickr: Catching the Canucks at the Shark ClubTo me, going to a game should be an experience. When you go see a movie, the soundtrack is part of what makes the whole thing worthwhile. When the movie is tense, the music reflects it. When it’s a party scene, then the music takes on the vibe. You don’t get to that pinnacle point in the plot and say, “Ok, bring on the AC/DC and Guns n’ Roses!”

There in lies my major problem of many “sports soundtracks”. The one year that I went out for football in high school, I fought the front. Bones Thugs & Harmony in the weight room and AC/DC for pre-game in the locker room did nothing for me. My own mix tape, with stuff like Nine Inch Nails (lesser known tracks, no less) and Helmet, was met with quick dissatisfaction when I found the room empty upon getting my reps in on the bench press. After a while, I was well known for popping on my headphones and zoning out into my own world.

So what would John do? Good question, but you know that I have some ideas floating around in my head. I mean, this is the new NHL, right? Let’s apply that “new” idea to more than just the rules on the ice.

For starters, I would have less of the staples. That means all of those “classic rock” artists in rotation would get a time restriction until the next time that it could be played again. That sounds draconian, but that would ensure some new blood to flow into the library of possible selections. Then you could also do some slight editing to some tracks to add a little spice to some of the music you have. People have certain parts of a song that they want to hear, and getting cut off at the point where the song is just getting good and the puck drops is such a downer.

Going back to new vs. old blood, there is the issue of the music at the beginning and end of a game. The U2, “Where the Streets Have No Name”, is something I like and have no problem of sticking with for when the teams steps on the ice. The music played at the end of a game, in which we win, has been a conflict for a while. Did anyone else notice that someone made a change recently? Instead of “Olé, Olé”, the Star Wars theme has been played a few times.

Flickr: Canucks vs. Avs (miss604)I like Star Wars. I don’t like hearing the main theme at the end of Canucks games, especially since there are other teams in the leagues already doing that. If you are going to change it, then go with something that is more unique. In fact, I’d say that the “Rebel Fanfare” would be a much better choice if Star Wars is a must, but it still lacks in a good choice for a closer. At least with “Olé, Olé”, people with a good, over-priced beer buzz will be inclined to sing along.

As for the rest of the tunes, I think I could come with a hell of a selection. You can’t forget to ask the players about stuff they’d like to see in there. I mean, with guys from Europe on the team, there is a lot of stuff that you would never hear on this continent to choose from. Sure, this would give me an excuse to play my favorite band from Sweden, The (International) Noise Conspiracy, but they do have tracks that could offer some nice atmosphere in times of need for firing up. At the same time, beats and rhythms can happen, all the while being able to maintain a family atmosphere. Combine that with the local Vancouver music scene, you can make this a truly unique, ass kicking experience.

And at this point, our guys need all the help they can get in the inspiration department. Salo, Pyatt, and Rypien all out with injuries from the last game? Aw geez…

The Black Keys – “Your Touch”

It’s a bit of a trippy video, but I love this track.  The Black Keys have quickly become a beloved favorite of mine.  I really dig the stripped down rock and roll, and it doesn’t get much better than two guys, drums, and a guitar.  Sure, there’s some layering that goes into the studio albums, but I hear they are amazing on the stage.  (By the way, Muffin, they’re coming to Lawrence, KS very soon.  Go see them.)

“So how do you feel about being dead?”
“I don’t know, my neck hurts.”

RadioZoom Episode #118 – Interview with Jim Ward of Sparta at Richards on Richards

I realize that I never blogged about this night, but listen to episode #118 and you’ll get exactly what I thought about this show. This was also a great test of Levelator, and the entire episode was edited together using Ubercaster.

Another adventure with the podcasting project, RadioZoom gets the opportunity to hang out with Jim Ward, front man for the band Sparta, during their one night visit on their current tour. Richards on Richards was the venue for this evening, and both Rebecca and I had a really great time.

We discuss a variety of topics, ranging from what life on the road is like, the making of the latest album, Jim’s prior experiences with Vancouver, a little bit of politics, and we discover a little more of what life is like in Jim’s hometown of El Paso, Texas. (Note: explicit language)

It was an amazing opportunity for the interview, and the performance that night was nothing short of being absolutely stellar. We take a moment back in “the studio” to reflect on the overall experience and review what we saw on stage that night.

59:48 minutes
radiozoom.net

Interview with Sparta confirmed for RadioZoom

Sparta (credit: Johnny Buzzerio)I’m super excited to announce that RadioZoom will be having the opportunity to interview Sparta when they are in town for their show at Richards on Richards this weekend. I have officially made Rebecca my go to public relations person for the podcast, and she has delivered big time, no doubt about it.

Like many fans of the band, I’ve been a fan of Sparta since the day they formed. No, I wasn’t one of those cool kids with my ear to the underground and knowledge of all things good. Well, maybe just a little bit, but when the forever memorable At the Drive-In[wiki] split up, Sparta was formed by three guys from the band. If you’ve ever heard the name The Mars Volta, that is what the other two members went on to. However, Paul Hinojos left Sparta nearly a year ago to join The Mars Volta.

In 1999, I went to my first CMJ Music Marathon in New York. The Foo Fighters were slated to play at the Bowery Ballroom in a somewhat early show, so a bunch of us stood in line for a few hours to check them out. More impressive than seeing them on stage was the opening band which none of us knew a lot about, and they were seemingly insane. Amazingly good, but insane.

Sad to say, I never knew who they were for months afterward. When we got At the Drive-In’s new album at KRUI a little while later, I started to piece it all together. That band I saw, with the afros and craziness on stage, was At the Drive-In.

I’ve been keeping tabs on Sparta since their first album, “Wiretap Scars“, and their two follow up albums have yet to disappoint me. Their most recent release, “Threes“, is available in stores now. I’ve had a listen through just a few times, so it is hard for me to really convey a decent review of the album. However, I assure you, it’s way, way good.

The most interesting part of doing this interview is the way Sparta has embraced new media. Their involvement with their website is very noticeable, connecting to fans in this highly digital age with podcasts and embedded videos to send out information to fans. My hope is to explore their reasons behind it and geek out with rock stars a little bit.

radiozoom.netIt is because of this that we think they have given the green light to meeting Rebecca and I for a brief conversation before their show on Saturday night. The scope of RadioZoom is always exploring new avenues, and the recent interview with Aberdeen City is a prime example of that. It feels good to be getting back into the realm of interacting with musicians, like I did during my time in radio, but we can try so many different things through podcasting that you simply can’t on the airwaves.

The battle of who could care less

The Killers pointing fingers at Green Day? Say it isn’t so!

The Killers ‘offended’ by Green Day

Brandon Flowers doesn’t want to be an ‘American Idiot’

Brandon Flowers has criticised Green Day for what he sees as their calculated anti-Americanism.

In particular, Flowers singled out the track ‘American Idiot’ and the fact they filmed their DVD ‘Bullet In A Bible’, which features the song, in the UK.

“You have Green Day and ‘American Idiot’. Where do they film their DVD? In England,” The Killers‘ frontman told The Word. “A bunch of kids screaming ‘I don’t want to be an American idiot’ I saw it as a very negative thing towards Americans. It really lit a fire in me.”

Explaining he was offended by the set-up, Flowers added: “You have the right to say what you want to say and what you want to write about, and I’m sure they meant it in the same way that Bruce Springsteen meant ‘Born In The USA’ and it was taken wrongly, but I was really offended when I saw them do that.”

The singer added he felt the DVD was a bit of a a stunt.

“I just thought it was really cheap,” he explained. “To go to a place like England or Germany and sing that song – those kids aren’t taking it the same way that he meant it. And he [Billie Joe Armstrong] knew it.”

The Killers‘ frontman said he believed that his band’s new album ‘Sam’s Town’ is a much better representation of America.

“People need to see that, really, there are the nicest people in the world here!” he declared. “I don’t know if our album makes you realise that. But I hope it’s from a more positive place.” [nme]

It seems like I hear the latest by The Killers every morning when the alarm goes off and the radio in the bathroom gets turned on. Mind you that we don’t own a car, but seems like everytime we are in one, “He doesn’t look a thing like Jesus…

Someone told me something not too long ago that makes a lot of sense and is completely applicable to this situation. The industry does as much as it can to milk every last drop out of an artist that it possibly can.

Even artists with one album can have their own DVD pushed onto the store shelves. You don’t need a long track record to have that live, special edition to hit your local Wal-Mart or Zellers. Two or three albums later, the “best of” whoever and whatever start showing up.

Politics or truly representing what Americans are, it’s all rock and roll. The record execs want to push more of the product as they possibly can. Brew a feud, create a buzz, and launch more ways to increase revenue. Even if there is truth to what is being said, I doubt anything was that well thought out and planned. The thing that probably bothers people more is the fact that they had to pay $40-$60, per ticket, just to get in and see any of these guys.