The politics of rock and roll

iTunesI’ve said it once, and I’ll say it again. Well, maybe I’ve said it more than once. I can’t be all too sure. Anyway, a wise man once told me that any music that you listen to and love, then that’s what rock and roll is. I have lived by that mantra for the past ten years and will probably go to my grave saying it over and over.

I noticed something the other day. Living in the world of iTunes, there are certain playlists of goodness that I have setup up. “Bueno” is all things good with little care of any particular genre. “Happy Joy” is straight up electronic, usually something of a booty shaking quality. “Sleepy” is pretty self explanatory, but it’s something that you mellow out to as well as relax to while you drift off to la la land. It’s the new era of making mix tapes, and I know that there are a variety of those that I made and are still floating around somewhere.

MuseThere’s one playlist in particular that gets more adding and subtracting than others, and this means it also goes into play quite often. Going back to my post about listening to a lot of the new Muse album, the political tone of a majority of the album has captured my attention. Sure, the 2008 elections are coming up for the U.S., so this would stand to reason. Iraq, Afghanistan, terrorism, climate change, and the list can go on and on.

I’ve never been one to seek out politically minded music, nor have I ever been against it. I’ve also known people that listen to only such things. Like I said, it all comes down to that which sounds good to you and you simply have a love for what you hear.

So who is that has changed? Is it the artists or me?

It could be that my tastes have changed. It could also be the political climate of today. Regardless, more people are putting the message in their music. Thing is, it’s not all the same argument of “down with the man”. Sure, there is some of the “destroy and rebuild” message, but I think that it’s more than that.

Sparta @ Richards on Richards
Me and Jim Ward of Sparta
Photo credit: miss604 on Flickr

In the interview of RadioZoom#118 with Jim Ward of Sparta, he told me straight up that the track “Taking Back Control” is all about getting into the system of government and creating change from the inside. Running for office and becoming apart of those who make decisions that control our lives. This, of course, is in relation to the dissatisfaction with the current U.S. administration. A great concept, indeed, but we’re having a hard enough time getting younger generations to vote, period. However, I like the idea a whole lot.

I wish I could speak to these issues like Matt Good can, but my mind is a messy sponge when I get going. Combine his musings and my playlists consisting of, but not limited to, The (International) Noise Conspiracy, Muse, The Decemberists, and so on, I’ve noticed this shift in my personal method of thought when it comes to political issues. I used to abstain from it as much as possible, only considering the negative aspects that it would bring to relationships between me and those around me. I still don’t have a good label on what my stance is on anything and everything, but liberal is a good start.

It’s tough. I live by the rule that you can never know enough of everything that there is to know because being a know-it-all is no fun. I keep an open eye and mind on everything I read and hear. Limit yourself to one brand and side of media, and you’re bound to get blind sided. At this point, you have to put faith in yourself to figure out the truth.

I have to invoke a quote from High Fidelity[imdb], but with some minor tweaking. Do I listen to politically minded music because I am politically aware? Or am I politically aware because I listen to politically minded music?

A golden ticket to punk rock

This is cool and clever all at the same time. I also have a bit of fondness for MxPx.

In a recent promotion of “Bremerton Blend”, a coffee endorsed by MxPx, the band has randomly inserted “golden tickets” in 2 of the 200 bags of the product.

We will be putting in ONE ‘Golden Ticket’ naming the lucky recipient as the winner of the signed guitar! We’re also putting in a single “golden ticket” in a second 1 pound bag for a 50 dollar shopping spree at the MxPx Merch Arsenal.

To check out the coffee or the promotion,head over to this link. [punknews]

Pushing products in the name of your fans and the rock. I can dig that. Wonder if the coffee’s any good.

Muse – starlight

I posted this earlier, but it mysteriously vanished. My ISP has been doing some things behind the scenes to help improve things, so I’ll chalk it up to that.

Anyhoo, been listening to the new album from Muse a lot lately, “Black Holes and Revelations”. A lot of the tracks on this one have a political layer to the lyrics. This one, not so much. Still, I dig the video.

It’s gotta be funky

The one thing to bring you down on Christmas Day, isn’t it? The godfather of soul passing away was enough to make me gasp and let out an, “Oh no!”

NEW YORK (AP) — James Brown’s music career will come full circle when his body is brought to rest on the stage of the legendary Apollo Theater in Harlem, where he made his explosive debut, and the world changed to his beat.

The public will be permitted on Thursday to visit the Apollo to have one more look at a man who helped steer modern musical tastes toward rhythm-and-blues, funk, hip-hop, disco and rap, the Rev. Al Sharpton said Tuesday. The reverend has been a close friend of Brown for decades. […]

Brown, known as the Godfather of Soul, died of congestive heart failure on Christmas morning in Atlanta at age 73. He had been scheduled to perform on New Year’s Eve in Manhattan at B.B. King’s blues club. [cnn]

Doing the live, morning shows at The Java House in downtown Iowa City, my favorite CD to throw in as a preshow warm-up was none other than James Brown[wiki] himself. It wouldn’t make the annoyed crowd sing along over their lattes as much as The Beatles would, but I know we, the setup crew, loved it. Makes me sad, but I bet those guys are still using his tunes for pregame.

You have to admire the man. Not only did he make some great music, but he was simply crazy.

T(I)NC to release a live jazz album

Are you as puzzled over reading that as I am? A politically-outspoken rock band fusing its material with the sounds of jazz? Have faith because I think that if anyone can pull it off, The (International) Noise Conspiracy are the ones to do it.

Alternative Tentacles has announced the release of Live at Oslo Jazz Festival, a special live recording featuring The (International) Noise Conspiracy in collaboration with noted jazz musicians Jonas Kullhammar and Sven-Erik Dahlberg.

The album was previously available only through Swedish jazz imprint Moserobie and includes tracks from Survival Sickness and A New Morning Changing Weather. The label describes the tracks as ” retaining the T(I)NC-ness of the original material” but with more dreamy arrangements. […]

The record is due out March 13, 2007. The band released their last studio record, Armed Love in North America in 2005. [punknews.org]

IMG_7768 It’s not that I think this is a bad idea at all. I am all for artists taking a chance to explore what else they can do musically, but this is insane. And I mean that in the completely good sense of the word. I’ve seen T(I)NC twice now, and the thought of setting their music to a complete jazz arrangement is enthralling.

Anyone who is familiar with their music wouldn’t be overly surprised. Sure, the whole band has punk and hardcore roots from the Swedish scene, but every album has had hints of a jazz influence. From the rhythms on the drums to the full out saxophone solo in the middle of a track, I can’t say that this is too far off the radar. Now I just want to get my hands on it. More so, this is a tour I wouldn’t mind seeing for myself, but I’m not sure North America would be up for it.

Maybe I had a little part in it

I caught this story on PunkNews.org, and the main thing that I find incredible is the second city on the tour date list. Iowa City! And if you listen to the interview that RadioZoom did with Jim Ward, lead singer of Sparta, in November[rz118], you might recall that I lobbied for the band to consider swinging through Iowa City if they were ever in the area.

Toss this one up to the power of new media? Maybe. It would be really interesting if Jim had any part in putting IC on the list. It’s a U.S. tour only, so check out their site for details on any changes or additions.

Take that, Ames!

(Cross posted from RadioZoom)

Students too busy being smart to rock

Maybe it’s because I like Clinic, but this is nuts. Apparently, St. Martins College, a small school in London, England, had students protest their upcoming performance there. The reason? They had too much school work to do.

As previously reported, the university was scheduled to host a sold-out Clinic gig on December 14, but due to “pressure from a small minority of students, who saw the show as a perceived disruption to their studies and were threatening to stage a sit-in protest” (according to the band’s website), the concert was canceled.

A sit-in protesting a rock show?! What decade is this again? The fifties?

Tickets for the canceled show will be honored at the band’s next London show, tentatively scheduled for somet time in February 2007. Tickets can also be refunded from point of purchase. [pitchfork]

Really, I don’t get it, and this is like a strange portrayal of a scene from PCU[imdb]. If there was to be a big show that I wanted to check out when I was in school, then I busted my butt to make time for it. More often than none, the main reason I would skip it would be due to lack of money. And it’s not like the band is setting up in your dorm room. Gigs like this last a couple of hours, not all day. There will be plenty of other time to do your school things. That’s what sleep deprivation and coffee is for.

“These, Tom, are the Causeheads. They find a world-threatening issue and stick with it for about a week.” – PCU[imdb]

I need better tunes at Canucks games

I’ve mentioned it before, on the blog and podcast, but there has got to be something done about music at Canucks games. I would give anything to be the guy with the job of running the controls and hitting play on the whistles. I would implement rules that certain songs would get limited play. Certain tracks would have to be retired due to being played everywhere else in the league, and there would be no silly sound effects (not that there is much of that being done at GM place now, but just getting that point out there).

Flickr: Catching the Canucks at the Shark ClubTo me, going to a game should be an experience. When you go see a movie, the soundtrack is part of what makes the whole thing worthwhile. When the movie is tense, the music reflects it. When it’s a party scene, then the music takes on the vibe. You don’t get to that pinnacle point in the plot and say, “Ok, bring on the AC/DC and Guns n’ Roses!”

There in lies my major problem of many “sports soundtracks”. The one year that I went out for football in high school, I fought the front. Bones Thugs & Harmony in the weight room and AC/DC for pre-game in the locker room did nothing for me. My own mix tape, with stuff like Nine Inch Nails (lesser known tracks, no less) and Helmet, was met with quick dissatisfaction when I found the room empty upon getting my reps in on the bench press. After a while, I was well known for popping on my headphones and zoning out into my own world.

So what would John do? Good question, but you know that I have some ideas floating around in my head. I mean, this is the new NHL, right? Let’s apply that “new” idea to more than just the rules on the ice.

For starters, I would have less of the staples. That means all of those “classic rock” artists in rotation would get a time restriction until the next time that it could be played again. That sounds draconian, but that would ensure some new blood to flow into the library of possible selections. Then you could also do some slight editing to some tracks to add a little spice to some of the music you have. People have certain parts of a song that they want to hear, and getting cut off at the point where the song is just getting good and the puck drops is such a downer.

Going back to new vs. old blood, there is the issue of the music at the beginning and end of a game. The U2, “Where the Streets Have No Name”, is something I like and have no problem of sticking with for when the teams steps on the ice. The music played at the end of a game, in which we win, has been a conflict for a while. Did anyone else notice that someone made a change recently? Instead of “Olé, Olé”, the Star Wars theme has been played a few times.

Flickr: Canucks vs. Avs (miss604)I like Star Wars. I don’t like hearing the main theme at the end of Canucks games, especially since there are other teams in the leagues already doing that. If you are going to change it, then go with something that is more unique. In fact, I’d say that the “Rebel Fanfare” would be a much better choice if Star Wars is a must, but it still lacks in a good choice for a closer. At least with “Olé, Olé”, people with a good, over-priced beer buzz will be inclined to sing along.

As for the rest of the tunes, I think I could come with a hell of a selection. You can’t forget to ask the players about stuff they’d like to see in there. I mean, with guys from Europe on the team, there is a lot of stuff that you would never hear on this continent to choose from. Sure, this would give me an excuse to play my favorite band from Sweden, The (International) Noise Conspiracy, but they do have tracks that could offer some nice atmosphere in times of need for firing up. At the same time, beats and rhythms can happen, all the while being able to maintain a family atmosphere. Combine that with the local Vancouver music scene, you can make this a truly unique, ass kicking experience.

And at this point, our guys need all the help they can get in the inspiration department. Salo, Pyatt, and Rypien all out with injuries from the last game? Aw geez…

The Black Keys – “Your Touch”

It’s a bit of a trippy video, but I love this track.  The Black Keys have quickly become a beloved favorite of mine.  I really dig the stripped down rock and roll, and it doesn’t get much better than two guys, drums, and a guitar.  Sure, there’s some layering that goes into the studio albums, but I hear they are amazing on the stage.  (By the way, Muffin, they’re coming to Lawrence, KS very soon.  Go see them.)

“So how do you feel about being dead?”
“I don’t know, my neck hurts.”